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A Writing Exercise That Can Change Your Life

By Michelle Seaton

Here’s something to try. This won’t be fun, but try it anyway: Recall a moment when you felt envious, jealous, or even humiliated. The key is to focus on a painful moment, one you normally refuse to think about. You know the one I’m talking about: the time in seventh grade when you did that stupid thing and everyone laughed at you; the time you saw your boyfriend or girlfriend hitting on someone else; when you were caught in a lie; the moment success came to your rival instead of you; the time you begged him and he still said no.

Now spend a few minutes writing a description of the event. Don’t focus on why it happened or why it was a big deal. Write instead about how you reacted physically in the moment, how your body felt, the fantasies your emotions stirred up. You might even describe how quickly you judged yourself for feeling this way. Definitely describe what you said while in the grip of this unpleasant emotion and how others reacted to you. Spend a page or more in the pain, noting every detail.

I didn’t come up with this exercise. I found it in a new book, by Joseph Burgo, PhD, called Why Do I Do That? Burgo describes how we block painful feelings and how this need to ignore our pain shapes our behavior, almost always to our detriment. It’s not a how-to book about writing more nuanced characters or being a more compassionate artist. And yet it is, because the unpleasant feelings we deny in life we deny doubly on the page. The writer’s need to avoid pain shows up in every first draft of every short story or memoir.

Joseph Burgo

I know this because I suffer from pain aversion, and so does my work. And so does your work, if you’re willing to be honest.

I tried this exercise recently, focusing on painful memories of loss, hatred, envy, apprehension, and—my least favorite—neediness. It was not fun to document my sudden dry mouth, the acid spill in my stomach, the vertigo of rage, the bizarre, unbidden thoughts that fuel my insecurities. But the exercise did show me a picture of these emotions that was truer than I’d ever been able to think about or write about before. I actually moved several sentences from the exercise into a story I was working on that was clever but flat.

Of course, doing the exercises in Burgo’s book might have other consequences.  It might allow you to see the motivations behind your infuriating behaviors. It might give you compassion for your foibles and for other people. If it does change your life, consider that a bonus.

Michelle Seaton

About Michelle Seaton

Michelle Seaton has been an instructor with Grub Street since 2000, teaching such classes as 6 Weeks 6 Essays, Tour of the Essay, and Master Narrative Nonfiction. She is also the lead instructor and created the curriculum for Grub Street’s Memoir Project, a program that offers free memoir classes to senior citizens in Boston neighborhoods. Her nonfiction work has appeared in Yankee, Robb Report, The Pinch, Best American Nonrequired Reading, and on the NPR show, “Only a Game.” Her fiction has appeared in the Sycamore Review and Quiddity International Journal. She is the coauthor of The Way of Boys (William Morrow, 2009).

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4 Responses to A Writing Exercise That Can Change Your Life

  1. Sharon Bially
    Sharon Bially December 19, 2012 at 3:32 pm #

    Michelle – this is fantastic, thanks for posting it! I’m so glad this book inspired and informed you as a writer. Indeed, every writer must learn how to dig deep and face what lies beneath the lies we tell ourselves. Those things we’d rather forget or not even see. Doing so can be hard, but in the end make everything — including our WIPs — so much better.

  2. Lynette December 23, 2012 at 7:29 pm #

    Thanks for this candid post.

    I’m also reviewing the Burgo book, and find it truly cringe-worthy. It’s making me face all that I’ve been avoiding putting in my memoirs.

    Kudos to you, Michelle, for doing the Burgo exercise, AND for managing the courage to mention your neediness.

Trackbacks/Pingbacks

  1. What I’ve Felt, What I’ve Shown | thelindseyoneill - December 28, 2012

    [...] in between reading a Grub Street Daily email where Michelle Seaton talks about the prolific power of not avoiding pain in our writing, and [...]

  2. Get a Handle on Yourself—and Your Characters - January 10, 2013

    [...] For those of us who write essays, journals, and memoir—personal, nonfiction reflective writing—it’s critical to have a grasp on why we feel the ways we do, have found ourselves in the fixes we have, and made the adjustments we’ve made to tolerate or extricate ourselves from the various quagmires we’ve landed in. After all, the point of our writing is to understand what we’re trying to banish or preserve, and when we do it well, we connect with our readers and ourselves, though I can tell you, it’s almost never pretty. But, as Michelle Seaton writes in her post about Why Do I Do That?: [...]

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